Please use this identifier to cite or link to this item: http://hdl.handle.net/10071/2384
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dc.contributor.authorFlores, Tomaz-
dc.date.accessioned2011-03-09T15:39:23Z-
dc.date.available2011-03-09T15:39:23Z-
dc.date.issued2011-03-09-
dc.identifier.urihttp://hdl.handle.net/10071/2384-
dc.description.abstractAfrican philosophy, as a negritude, is a moment in the postcolonial critique of European/Western colonialism and the bodies of knowledge which sustained it. Yet a critical analysis of its’ original articulations reveals the limits of this critique and more broadly of postcolonial studies, while also pointing towards more radical theoretical possibilities within African Philosophy. Jean-Paul Sartre’s essay “Black Orpheus”, a philosophical appropriation of negritude poetry, serves as a guide for this reflection, for the text reveals the inspiration and wealth of expressions of negritude, as well as their ambiguity. Sartre’s essay however also renders possible a further act of re-appropriation that takes us beyond culture-centred readings of African philosophy and postcolonialism, readings whose conceptual and critical potential is far greater than what has hitherto been explored.por
dc.language.isoengpor
dc.rightsopenAccesspor
dc.subjectAfrican philosophypor
dc.subjectNegritudepor
dc.subjectPostcolonislismpor
dc.titlePhilosophy in black: african philosophy as a negritudepor
dc.typeconferenceObjectpor
dc.event.title7º Congresso Ibérico de Estudos Africanospor
dc.event.typeCongressopor
dc.event.locationLisboapor
dc.event.date9 a 11 de Setembro de 2010por
dc.publicationstatusNão publicadopor
dc.peerreviewedNãopor
Appears in Collections:CEI-CRN - Comunicações a conferências nacionais

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